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The more city maps I create, the more I am compelled to draw them in a loose isometric perspective.
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After working on some epic maps for the last few days, I finish the week with the next entry in Raznag’s Bestiary.
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Creating traditional pencil illustrations is something I enjoy doing just as much as creating maps.
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As a little extra for backers of The Fall of Rivenhelm, I put together the two districts maps that I was commissioned for by @cawoodpublishing as one large one for GMs to use as they please.
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This is how my maps get made: three simple steps, which leaves lots of time and room for adding unique things and never draw the same thing twice.
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After earlier maps for her first two novels, I was so pleased to work with Erin Carrougher once more and bring her vision to life for the third book in the Augland series, Agendas, which was released at the end of May!
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A Tribute to Magnamund - This is a piece of cartographic fan art I created to show my appreciation for the Lone Wolf game book series.
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After last year’s Tarrasque and beholder themed poster, this is the design that D&D in a Castle commissioned me to create for 2025, to be featured on their t-shirts, posters and even DM screens.
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Here’s another couple of closeup of the Map of Murka, for Action Fiction‘s upcoming Monsters of Murka Trilogy: Ratified & Radified.
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Map making is a form of storytelling, but you should always make sure the players have the room and opportunities to get inspired, imagine what could be there so they feel encouraged to explore and set off on unforgettable adventures!
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