I run a table. One of the people at the table insisted that I checked out Daggerheart. So I did. And I was very pleasantly surprised.

Why? Well, I admit I had some prejudices against it. First, I sort of made up my mind when I saw the whole licensing issue, Daggerheart basically doing what Wizards of the Coast did with Dungeons and Dragons. But not only that, I also saw red flags in Daggerheart itself: minis.

I saw a video for Daggerheart where the thumbnail showed minis. I was out. I find minis so frustrating. They are in my list of things that I cannot care about. I care about dramatic stories, not combat simulation. I care about intrigue and character growth, not arithmetic. I saw that and assumed that Daggerheart was a combat simulator just like Dungeons and Dragons is. I didn’t even pay attention.

But then my friend insisted that I read about Daggerheart. And so I did.

I was pleasantly surprised when I saw that minis are optional. Even more importantly, I was shocked to find a game that effectively is Powered by the Apocalypse. I was especially relieved to not find rules for movement that require trigonometry or strange approximations (unlike Dungeons and Dragons, where there are grids and numbers everywhere).

I found a game that prioritized drama. Yes, it still simulates combat, but it does so in such a simple way that makes me happy to run it.

I’m excited! This would be the first game that I ever play when the game is just released. This would be the first game in which I don’t even have to pitch to the table; the table already wants to play it.

Of course, these are my first impressions. Maybe they’ll change. For now, I’m happy.

I run a table. One of the people at the table insisted that I checked out Daggerheart. So I did. And I was very pleasantly surprised.

Why? Well, I admit I had some prejudices against it. First, I sort of made up my mind when I saw the whole licensing issue, Daggerheart basically doing what Wizards of the Coast did with Dungeons and Dragons. But not only that, I also saw red flags in Daggerheart itself: minis.

I saw a video for Daggerheart where the thumbnail showed minis. I was out. I find minis so frustrating. They are in my list of things that I cannot care about. I care about dramatic stories, not combat simulation. I care about intrigue and character growth, not arithmetic. I saw that and assumed that Daggerheart was a combat simulator just like Dungeons and Dragons is. I didn’t even pay attention.

But then my friend insisted that I read about Daggerheart. And so I did.

I was pleasantly surprised when I saw that minis are optional. Even more importantly, I was shocked to find a game that effectively is Powered by the Apocalypse. I was especially relieved to not find rules for movement that require trigonometry or strange approximations (unlike Dungeons and Dragons, where there are grids and numbers everywhere).

I found a game that prioritized drama. Yes, it still simulates combat, but it does so in such a simple way that makes me happy to run it.

I’m excited! This would be the first game that I ever play when the game is just released. This would be the first game in which I don’t even have to pitch to the table; the table already wants to play it.

Of course, these are my first impressions. Maybe they’ll change. For now, I’m happy.

I have yet to meet a pbta game I actually like. I was going to check out dagger heart (I have heard nothing positive about it from my customers), I think I will wait for Anna to get a pdf.

Would be interested to know how it diverges from PbtA? Sounds cool though!

I run a table. One of the people at the table insisted that I checked out Daggerheart. So I did. And I was very pleasantly surprised.

Why? Well, I admit I had some prejudices against it. First, I sort of made up my mind when I saw the whole licensing issue, Daggerheart basically doing what Wizards of the Coast did with Dungeons and Dragons. But not only that, I also saw red flags in Daggerheart itself: minis.

I saw a video for Daggerheart where the thumbnail showed minis. I was out. I find minis so frustrating. They are in my list of things that I cannot care about. I care about dramatic stories, not combat simulation. I care about intrigue and character growth, not arithmetic. I saw that and assumed that Daggerheart was a combat simulator just like Dungeons and Dragons is. I didn’t even pay attention.

But then my friend insisted that I read about Daggerheart. And so I did.

I was pleasantly surprised when I saw that minis are optional. Even more importantly, I was shocked to find a game that effectively is Powered by the Apocalypse. I was especially relieved to not find rules for movement that require trigonometry or strange approximations (unlike Dungeons and Dragons, where there are grids and numbers everywhere).

I found a game that prioritized drama. Yes, it still simulates combat, but it does so in such a simple way that makes me happy to run it.

I’m excited! This would be the first game that I ever play when the game is just released. This would be the first game in which I don’t even have to pitch to the table; the table already wants to play it.

Of course, these are my first impressions. Maybe they’ll change. For now, I’m happy.

I run a table. One of the people at the table insisted that I checked out Daggerheart. So I did. And I was very pleasantly surprised.

Why? Well, I admit I had some prejudices against it. First, I sort of made up my mind when I saw the whole licensing issue, Daggerheart basically doing what Wizards of the Coast did with Dungeons and Dragons. But not only that, I also saw red flags in Daggerheart itself: minis.

I saw a video for Daggerheart where the thumbnail showed minis. I was out. I find minis so frustrating. They are in my list of things that I cannot care about. I care about dramatic stories, not combat simulation. I care about intrigue and character growth, not arithmetic. I saw that and assumed that Daggerheart was a combat simulator just like Dungeons and Dragons is. I didn’t even pay attention.

But then my friend insisted that I read about Daggerheart. And so I did.

I was pleasantly surprised when I saw that minis are optional. Even more importantly, I was shocked to find a game that effectively is Powered by the Apocalypse. I was especially relieved to not find rules for movement that require trigonometry or strange approximations (unlike Dungeons and Dragons, where there are grids and numbers everywhere).

I found a game that prioritized drama. Yes, it still simulates combat, but it does so in such a simple way that makes me happy to run it.

I’m excited! This would be the first game that I ever play when the game is just released. This would be the first game in which I don’t even have to pitch to the table; the table already wants to play it.

Of course, these are my first impressions. Maybe they’ll change. For now, I’m happy.

Would be interested to know how it diverges from PbtA? Sounds cool though!

I would be interested in reading through this if they release a free rules version. I can’t justify paying for a RPG ruleset if I am not going to be playing it. Have they released one yet? There wasn’t when I last checked it out.

I run a table. One of the people at the table insisted that I checked out Daggerheart. So I did. And I was very pleasantly surprised.

Why? Well, I admit I had some prejudices against it. First, I sort of made up my mind when I saw the whole licensing issue, Daggerheart basically doing what Wizards of the Coast did with Dungeons and Dragons. But not only that, I also saw red flags in Daggerheart itself: minis.

I saw a video for Daggerheart where the thumbnail showed minis. I was out. I find minis so frustrating. They are in my list of things that I cannot care about. I care about dramatic stories, not combat simulation. I care about intrigue and character growth, not arithmetic. I saw that and assumed that Daggerheart was a combat simulator just like Dungeons and Dragons is. I didn’t even pay attention.

But then my friend insisted that I read about Daggerheart. And so I did.

I was pleasantly surprised when I saw that minis are optional. Even more importantly, I was shocked to find a game that effectively is Powered by the Apocalypse. I was especially relieved to not find rules for movement that require trigonometry or strange approximations (unlike Dungeons and Dragons, where there are grids and numbers everywhere).

I found a game that prioritized drama. Yes, it still simulates combat, but it does so in such a simple way that makes me happy to run it.

I’m excited! This would be the first game that I ever play when the game is just released. This would be the first game in which I don’t even have to pitch to the table; the table already wants to play it.

Of course, these are my first impressions. Maybe they’ll change. For now, I’m happy.

I have yet to meet a pbta game I actually like. I was going to check out dagger heart (I have heard nothing positive about it from my customers), I think I will wait for Anna to get a pdf.

I think that the Critical Role crew has done their utmost to conflate DnD with improv stage performance and that Daggerheart looks like nothing more than a platform to continue their failing brand.

Idk, it might be fun — don’t let my personal feelings about Critical Role cloud your judgement. I just have been very disappointed with Critical Role and have decided to vote with my wallet.

Same here. I was kind of interested in Daggerheart as something to propose as an alternative for my friends who dig the tradgame vibe (I honestly assumed it was going to be very 5e like but with some tweaks and serial numbers filed off), but hearing it’s PbtA-like has dashed all my interest.

Totally valid. I assume you like combat simulators like Dungeons and Dragons. Is that the case? If not, what do you dislike about PbtA?

For me it's not so much combat I'm looking for as competence (and due to this, D&D 5e irritates me for largely restricting competence to combat by various means). PBtA rubs me the wrong way primarily because, when combined with a system that makes "yes, but" the most common result, moves feel less like the things your character can do well and more like the things characters try to do despite not being good at them.

Also, PBtA games tend to dictate *who* your character is more than most.

What is PbtA? Well, the Baker’s definition:

“Powered by the Apocalypse” isn’t the name of a kind of game, set of game elements, or even the core design thrust of a coherent movement. (Ha! This last, the least so.) Its use in a game’s trade dress signifies ONLY that the game was inspired by Apocalypse World in a way that the designer considers significant, and that it follows our policy wrt others’ use of our creative work.

Is Daggerheart inspired by Apocalypse World? I think so: Meguey Baker co-authored Apocalypse World and the post-apocalyptic “Motherboard” campaign frame in Daggerheart. I would be surprised if Mercer would not have credited PbtA somewhere. If Darrington Press would like to, Meg and Vincent would probably approve with the “PbtA” stamp.

It doesn’t use the “2d6+stat” role mechanic but that is not essential just like all the other game mechanics.

I’m sorry. This is probably not very helpful. Maybe a more precise answer could be given if you ask how it diverges from “Dungeon World” or some other PbtA game you know.

EDIT: Oh… I just realized you asked how it DIVERGES from PbtA, not how it is similar to PbtA. lol my bad. I’ll come back with a more informed response later!

So far I can confidently tell you that the Player Principles in Daggerheart are very much like the Principles of Apocalypse World:

• Be a fan of the character
• Address the characters
• Look through crosshairs
• Play to find out what happens

In other words, it gives clear guidance on what it means to be an MC/GM. It’s explicit about not railroading. It’s explicit about not pulling the rug underneath your players (“Oops! You didn’t check for traps! That’s 999999 bludgeoning damage coming your way!”). I like when games are this explicit; it’s easier to have a conversation about what good and bad GMing looks like.

I also know that it doesn’t just have success and failure (and critical successes and failures). Instead, it has successes and failures that aren’t as extreme, so small complications pop up more often.

The character progression checklist also looks straight up from an Apocalypse World character sheet (in a good way!). [Edit 2: I learned that the checklist might be similar to Apocalypse World, but there’s this whole card system where each level involves choosing new feats or abilities or things like that, all related to your class]

I run a table. One of the people at the table insisted that I checked out Daggerheart. So I did. And I was very pleasantly surprised.

Why? Well, I admit I had some prejudices against it. First, I sort of made up my mind when I saw the whole licensing issue, Daggerheart basically doing what Wizards of the Coast did with Dungeons and Dragons. But not only that, I also saw red flags in Daggerheart itself: minis.

I saw a video for Daggerheart where the thumbnail showed minis. I was out. I find minis so frustrating. They are in my list of things that I cannot care about. I care about dramatic stories, not combat simulation. I care about intrigue and character growth, not arithmetic. I saw that and assumed that Daggerheart was a combat simulator just like Dungeons and Dragons is. I didn’t even pay attention.

But then my friend insisted that I read about Daggerheart. And so I did.

I was pleasantly surprised when I saw that minis are optional. Even more importantly, I was shocked to find a game that effectively is Powered by the Apocalypse. I was especially relieved to not find rules for movement that require trigonometry or strange approximations (unlike Dungeons and Dragons, where there are grids and numbers everywhere).

I found a game that prioritized drama. Yes, it still simulates combat, but it does so in such a simple way that makes me happy to run it.

I’m excited! This would be the first game that I ever play when the game is just released. This would be the first game in which I don’t even have to pitch to the table; the table already wants to play it.

Of course, these are my first impressions. Maybe they’ll change. For now, I’m happy.

That’s cool, I didn’t realise PbtA was such a broad term in its own right. I’ve played a little Dungeon World and others, but not enough to know the background of all that.

Huh. Thanks for sharing. I’m totally up for critically evaluating Critical Role and Daggerheart.

I do agree that Critical Role’s play style was a bit like a square peg in a round hole. Other games could’ve been more appropriate for them. Arguably a more appropriate game for them is Daggerheart.

As to not letting your personal feelings about Critical Role cloud my judgement, thanks for caring about not biasing me. At the same time, I’m sure you have good reasons to be critical of Daggerheart. Understanding why we say what we say sounds like a good plan, and I’m curious to hear what you think:

What is it about Daggerheart that makes you think it’s nothing more than a platform to continue their failing brand?