Wandering Adventure Party

@madhu_shrieks time to post more emacs shit

@madhu_shrieks thoughts and prayers

@juergen_hubert I was thinking more in terms of humour types that are transferrable between languages, like double entendre. I guess the question I'm asking is: do you have a split personality

do your guys sense of humour change depending on the language you're using?

@crmsnbleyd @madhu_shrieks not using the toilet right? REAL MEN don't waste time on the toilet, they've far transcended the need to

@juergen_hubert @madhu_shrieks my dept finals/mid term was so boring that I had to condition myself into revising for it by starting a novel/light novel a couple days before finals began. This way, I would force myself to revise quickly enough to get to continue reading the novel lol

@madhu_shrieks this is why i prefer(ed) having multiple projects. if i get bored of or stuck at one, i can always switch to the other as a breather. i could actually get work done this way, even as a pro procrastinator

I rest my case:

> MK: I’m talking about the large number of female characters who exist solely to fulfill a sexual function. On the one hand, your work is boundlessly imaginative when it comes to plots, to wells, and to men, but the same can’t be said for their relationships with women. It’s not possible for these women to exist on their own. And while female protagonists, or even supporting characters, may enjoy a moderate degree of self-expression, thanks to their relative independence, there’s a persistent tendency for women to be sacrificed for the sake of the male leads. So the question is, why is it that women are so often called upon to play this role in Murakami novels?

Mieko Kawakami got no chill yo https://lithub.com/a-feminist-critique-of-murakami-novels-with-murakami-himself/